T.H.O. Movie Reviews

No news. Just reviews.



The 25 Best Films of the Century (So Far)


by Bennett Campbell Ferguson

the topAbove: The notorious top from “Inception.” Image via Warner Bros. Pictures

On June 9, 2017, New York Times film critics Manohla Dargis and A.O. Scott unveiled their list of the 25 best films of the twenty-first century so far. The article was an absurdity—and both Ms. Dargis and Mr. Scott knew it. It was no secret that the piece was primarily engineered to lure traffic to the paper’s website, while highlighting films that the two critics perceived to be obscure cinematic treasures.

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Podcast: “Once Upon a Time…In Hollywood” review

Image via Sony Pictures

Bennett Campbell Ferguson and Hannah Dawson discuss the good, the bad, and the ugly of Quentin Tarantino’s new film.

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Podcast: “Police Story”/”Police Story 2” DVD review

Image via Fortune Star/Janus Films

Amelia Eichler, Bennett Campbell Ferguson, and Mo Shaunette discuss the Criterion release of Jackie Chan’s legendary action films.

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Podcast: “Late Night” (2019) review

Photo via Amazon Studios by Emily Aragones

Bennett Campbell Ferguson, Maxwell Meyers, and Mo Shaunette discuss Mindy Kaling’s comedy.

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Podcast: The Best (And Worst) Product Placement In Movies

Image via Alcon Entertainment/Warner Bros.

Bennett Campbell Ferguson, Jim Newman, and Geoff Wallace discuss the best and worst examples of product placement in movies.

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“John Wick: Chapter 3 – Parabellum” review


by Mo Shaunette

tho jw3
Image via Lionsgate

There is such a thing as “spectacle creep”: the idea any successive work of fiction must somehow outdo what came before it in terms of pageantry and production. It’s a phenomenon that emphasizes grandeur over character and emotion—the foundations of any worthwhile story. But what happens when spectacle creep occurs in a series that actively prides itself on a lack of story?

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“Pokémon Detective Pikachu” review


by Mo Shaunette

tho pika
Image via Warner Bros. and Legendary

The most infuriating thing about “Pokémon Detective Pikachu” is the timing of its release. I’m not talking about the fact that it’s a summer movie—I’m talking about the fact that it was released in this, the year of our Lord, 2019. Today, I’m a jaded, anxiety-ridden adult. I am not the prime demographic for this movie, whereas if it had come out 20 years ago, I would have LOST. MY. SHIT.

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2 “Avengers: Endgame” Podcasts

Image via Marvel Studios

Bennett Campbell Ferguson and Maxwell Meyers discuss the climactic chapter in the “Avengers” saga.


Image via Marvel Studios

Hannah Dawson, Bennett Campbell Ferguson, and Geoff Wallace discuss the appeal of the superhero genre and how it became ingrained in pop culture.

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Bennett Campbell Ferguson’s Top 11 Favorite Films of 2018


by Bennett Campbell Ferguson

tho shopImage via Magnolia Pictures

The first movie that I picked as my favorite of a given year was Sam Raimi’s “Spider-Man 2.” It was 2004, I was 13 years old, and while I couldn’t yet explain the thrill of placing a single film at the top of a list, I could feel it. To declare a movie “the best” is to reveal something about you—what you believe in, what you’re thrilled by, what you yearn for.

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